无题

我带着我的动物伙伴在城市的角落观察香港的生活方式，位于这个坡顶的墙面，从下往上看画面是不完整的，调皮的狐狸露出半张脸等待着下一个被它吸引而来的观众，小鸟雀跃飞腾，想赶紧去往下一个目的地。这大概就是活力香港给我的感受，吸引力、新鲜感，我作为经过的路人，只能短暂的观察这里，并留下一些痕迹，只有近距离体会，才能看到整个城市的生活细节
I took my animal companions to observe the lifestyle of Hong Kong in the corners of the city, located on the wall at the top of this slope, the picture is incomplete when viewed from the bottom, the mischievous fox shows half of its face waiting for the next viewer attracted by it, the bird leaps and flutters and wants to hurry to the next destination. This is probably the feeling that vibrant Hong Kong gives me, the attraction, the freshness. As a passer-by, I can only observe the place briefly and leave some traces, only by experiencing it up close can I see the details of life in the whole city!

Satr has been involved in street art since 2013. Her technique of using spray paint atomization to create unique contours and shapes, makes the animals in her paintings appear to be extremely dynamic with a smoky quality to their edges. She experiments with and widely researches the use of transparent graffiti spray paint, making her work stand out from the traditional Chinese painting style. In addition to using atomization and transparency, she also successfully uses ink and wash to create the perfect balance between the boldness of Western graffiti contrasted by the delicate brush strokes of Eastern-style paintings. There is a strong Oriental undertone in Satr’s work, and she acknowledges this significance with the use of ancient seal-engraved signatures.

Satr 自 2013 年起就開始涉足街頭藝術​​。她使用噴漆霧化技術創造出獨特的輪廓和形態，使她畫中的動物邊緣帶有煙熏質感，顯得極具活力。 她對透明噴漆的運用進行實驗和廣泛研究，使她從傳統國畫風格的作品中脫穎而出。 除了霧化和透明化之外，她還成功地運用墨水，在西方塗鴉的大膽與東方繪畫的細膩筆觸之間建立了完美的平衡。 Satr 的作品具有強烈的東方色彩，可以通過她的篆刻印章簽名看到。